Showing posts with label pink strat. Show all posts
Showing posts with label pink strat. Show all posts

Friday, February 10, 2012

Bahamas online

My news story on Bahamas is online at Exclaim.ca

Bahamas Talks 'Barchords,' Shares Album Stream 
By Andrea Warner

In the space of four years, Afie Jurvanen has gone from a part of Feist's backing band to a solo star of his own as alt-country folk rocker Bahamas. His 2009 debut, Pink Strat, was a richly textured examination of a romantic relationship seemingly staggering towards its end. His follow-up, Barchords, comes on the other side of love's slow death, and brings with it the kind of aching sadness, lingering anger and objective clarity that only comes well after you've given back the other person's stuff.

The new LP arrives Tuesday (February 7) on Universal/Republic in Canada, and all week you can stream the album here in Exclaim!'s Click Hear section.

Speaking to Exclaim!, Jurvanen says of Barchords, "I was struggling with something that was on and off and on and off for a long time, and it was something that was wonderful and amazing, but it was also something very difficult and painful. It was one of those things that just took forever to process, you know? Both of my records kind of chronicle this period of my life. So, yeah, it's a breakup album. All of my albums have been breakup albums."

And everyone loves a great breakup album. While touring in support of Pink Strat, Jurvanen earned the support of a slew of famous fans-turned-friends, such as Elvis Costello, as well as the attention of American label, Brushfire Records. The company re-released Pink Strat in the U.S., which delayed Barchords' release by a full year.

"In a way it's kind of strange now, it's going to go out into the world and have a life of its own and people are going to react to it," Jurvanen says. "For so long it was just something on a spool of tape and on a computer and every now and then I'd listen to it again to make sure I didn't hate it!"

Admittedly, Barchords is a vastly different landscape than its predecessor, but it's quite a natural evolution. Everything, from lyrics to influences to production, feels more complex. Melancholy haunts every song, from the sad cabaret of "Montreal" to the ironically titled "Overjoyed." Even the most upbeat, triumphant moments, such as the gospel-tinged "Never Again" and "I Got You Babe" are rooted in loss. When Jurvanen sings, "Do I hold you back in all the ways I lack?" it's another standout moment of heartbreaking self-awareness.

"Making it personal has been my foundation for writing songs since I began," he says. "I've made forays into more storytelling or conjuring things or exaggerating things but they're not the songs that resonate."

With the album's release date just around the corner, Jurvanen has been familiarizing himself again with these songs that catalogue his heartbreak. Thankfully, time and circumstance have him firmly separated from dwelling too deeply in the past.

"My domestic situation is much healthier," he laughs. "Personally, I'm in a much better place. And even musically, I don't know if confident is the right word, but I just feel comfortable. I feel comfortable singing, and I think when you're younger you spend a lot of time trying to find your voice as a writer, a singer, a performer, but in the last few years we've just done so much touring, it's really nice to get to a point where you can just play and stand behind your songs and stand next to them as something you've created and something that's a part of you. That's a nice feeling right now, to be starting a new record that way."

To hear those results, simply click here. And to read more of Exclaim!'s interview with Bahamas, head here. Plus catch him on Exclaim! TV here.

Monday, December 6, 2010

Bahamas

My feature on Bahamas is in this week's WE. His show is coming up this Thursday at St. James hall.

Bahamas frontman Afie Jurvanen.
Bahamas frontman Afie Jurvanen.
Credit: Supplied


Into the spotlight

Afie Jurvanen is just 29 years old, but he’s already seen the world, and from a very privileged vantage point: as part of pop chanteuse Feist’s backing band. A key part of Toronto’s close-knit music scene, Jurvanen also spent years playing with Jason Collett, Howie Beck, and Amy Millan. But a few years ago, he adopted the moniker Bahamas and released 2009’s Pink Strat, a startlingly thoughtful folk-rock album that’s propelled him from opening act to first-time headliner. WE caught up with Jurvanen over the phone during a rare day off at home in Toronto.

You’ve been a supporting player for a long time. Does this feel like the culmination of one part of your life and the beginning of the next?
Jurvanen: Yeah, sure, in certain ways. Like, up until this point [Bahamas has] been opening for other bands, and it’s such a different experience when you’re in that position. Really, there’s no pressure, generally, because nobody knows who you are. It’s a comfortable position... You can play a half-hour set, just play the best you can, and it’s comfortable being the underdog. But I also really welcome this new thing. I was kind of nervous before I started [headlining shows], but it’s such a nice thing to have people know the lyrics and know the songs and really participate in the show in a really different way. When you’re the headlining act, people are there to see you and they’re willing to engage in the show with you in a different way.

Is there an element of rejuvenation?
For sure. Some of the songs we’re singing, for me, they’ve been around for many years. So, to see them take on a life through other people — I mean, the space I was in when I created them is so much more different than what I’m in now, and the listener adds their own ideas, their own imagery, about what the song’s about. They have their own emotion attached to it, and it’s rejuvenating in that sense. I can see a song like “Hockey Teeth” take on new life just by people discovering it for the first time.

What’s the first thing you ever played when you were teaching yourself music?
From very early on, I gravitated towards the drums. There’s an immediacy: You hit something and a sound comes out... And when my friends started to get guitars and stuff, my mother couldn’t really afford to buy me a guitar at the time, so I had drumsticks, and I would just show up to my friends’ houses and be like, ‘Okay, guys, let’s jam.’ No one seemed to question the fact that I didn’t have a drum kit. Just, like, ‘I’m the drummer; I have drumsticks. Follow me.’

What are your plans for the next record?
I would love to put out a record in the early part of next year. It’s so hard to predict how that will all play out. There definitely will be another one. We’ve been recording on and off on little breaks, and I’m really happy with how it’s coming together. It’s a little more thought out than the last one. [Pink Strat’s] very much a document of us sitting down and playing together in a room, and this one started that way, but it’s taking on more elements, more singing and more electric guitar.

Will we get a sneak peek at the show?
Yeah, for sure. Just the fact that we have to play a headlining set. (Laughs) We only have one record, you know. We could either do all Alan Jackson covers, Vince Gill tunes, or play some of our new stuff, which is probably more likely. I have a bit of a guilty pleasure. Actually, it’s not a guilty pleasure — I’m fuckin’ damn proud of it. I like country music a lot, and these days I’m listening to Vince Gill and Alan Jackson, and I can’t get enough of it.

Bahamas play Thursday, Dec. 9, at St. James Hall (3214 W. 10th), 7pm. Tickets $18.50 from Ticketmaster, Zulu, Red Cat, and Highlife.