Showing posts with label twilight. Show all posts
Showing posts with label twilight. Show all posts

Tuesday, November 22, 2011

Breaking Dawn Pt. 1

My review of the Twilight Saga: Breaking Dawn Pt. 1 is online at WEVancouver.com

Robert Pattinson and Kristen Stewart's Edward and Bella share a tender moment in The Twilight Saga: Breaking Dawn Pt. 1

Posted By: Andrea Warner

THE TWILIGHT SAGA: BREAKING DAWN PT. 1
Kristen Stewart, Robert Pattinson, Taylor Lautner

Directed by Bill Condon

(Ed’s note: Spoilers ahead)
After plot points about Breaking Dawn Pt. 1 spilled like blood from Bella’s ripped C-section, even non-fans of the series had reason to believe that the fourth film would at least be an entertaining, action-packed WTF. So how can a film that features so many crazy, ridiculous, over-the-top elements — vamp-human sex, a demon baby, blood, gore and a wolf “imprinting” on said demon baby — be so freaking boring?

In part, it’s because Breaking Dawn seems like the ultimate love letter to its fans — Bella and Edward (Kristen Stewart and Robert Pattinson) get their dream wedding, while wolf-in-no-clothing Jacob (Taylor Lautner) is shirtless within the first 10 seconds — but it also has no qualms about taking those fans for granted. The film’s producers, writers and director know that it simply doesn’t matter. The Twihards will turn out in droves and lap it up without discernment or demand for something better. A terrible script, poor pacing, and lousy effects? So what? Bella gets her man.

As usual, author Stephanie Meyer and screenwriter Melissa Rosenberg keep  punching feminism in its baby-maker with Bella’s “empowerment.” When Edward balks at turning her into a vampire she insists, saying, “Hopefully in a year I’m going to look in the mirror and see someone like you.” Then she literally has to cry and beg him to have sex with her on their honeymoon, stating she likes how he accidentally hurts her with his vampire strength. And finally she argues that if her demon fetus kills her it will all be worth it, basically because abortion is wrong, no matter how viciously Edward and Jacob spit out terse sentiments like, “Get it out! You think I could ever love it? I hate it!”

And honestly, that’s even without going into the absolutely ridiculous sanctioned pedophilia subplot that has Jacob, the new alpha wolf — you know he’s grown up because he can grow stubble — who charges in to kill Bella’s half-blood newborn and then “imprints” on her, forecasting a creepy future wherein she looks exactly like her mother and has no choice but to accept her fate as the intended vamp-human hybrid of a wolf-human.

Yep. Enjoy. — Andrea Warner

Thursday, July 1, 2010

The Twilight Saga: Eclipse

Kristen Stewart and Robert Pattinson star in the third installment of the teen vampire series, The Twilight Saga: Eclipse.

Kristen Stewart and Robert Pattinson star in the third installment of the teen vampire series, The Twilight Saga: Eclipse.

Credit: Supplied

THE TWILIGHT SAGA: ECLIPSE

Directed by David Slade
Starring Kristen Stewart, Robert Pattinson, Taylor Lautner

It’s been three years since moviegoers were introduced to vampire Edward Cullen (ever-brooding Robert Pattinson), human-werewolf hybrid Jacob Black (the now perpetually shirtless Taylor Lautner), and the object of their rival affections, Bella (Kristen Stewart, no longer playing with her hair).

The franchise’s third installment, Eclipse finds Bella a month shy of graduating, but with even bigger changes on the horizon: Edward’s promised to turn her into a vampire if she’ll marry him, even though he’d rather keep her soul intact. (Later in the film, “soul” becomes a euphemism for “hymen.” Enjoy.) Bella’s safety becomes the catalyst for an uneasy alliance between the werewolves and the vampires, who band together against Victoria (a newly recast Bryce Dallas Howard), who, after two movies, is still hellbent on killing Bella to avenge the death of her lover in the first Twilight movie.

To say that this movie is better than its predecessors is faint praise, but it’ll have to do. The first Twilight looked amateur and cheap, and though the script seemed to suffer from the 2007-’08 writer’s strike, the sequel, New Moon, proved films based on a poorly written book series can’t be elevated much above the source material, no matter how hugely successful they are.

With Eclipse, screenwriter Melissa Rosenberg remains a faithful servant to author Stephenie Meyer’s juvenile prose. The repetitive scenes between the core three as they posture, declare their feelings, and rehash the past might please the Twihards, but anyone else will likely get a headache from all the eye-rolling. But under the hands of new director David Slade (Hard Candy), something unfathomable transpires: the movie gets interesting, exhibiting some narrative vibrancy as it attempts to throw off the shroud of terrible dialogue. As the action shifts away from ‘Who will Bella choose?’ and viewers are offered backstories as well as some fun werewolf-on-vampire fight sequences, we get the shape of something that resembles a decent film. —Andrea Warner

Wednesday, March 10, 2010

Remember me review

My review of Remember Me appears in Fast Forward Weekly in Calgary.

Remember Me memorably awful

Romance aims for deep meaning, falls far short of the mark


In the indulgent and banal romantic drama Remember Me, Robert Pattinson (Twilight's pretty, pale and brooding vampire heartthrob) proves he's not looking to stretch much beyond his comfort zone. He trades fangs for bleached teeth as Tyler, a young New Yorker with a pulse (barely), who's also pretty, pale and brooding, but for good reason. He's still grieving his brother's suicide, which has essentially turned him into one of those sensitive, tortured douches who quotes Gandhi, writes poetry, creates "funny" and complex filing methods at his bookstore job and audits university classes for no good reason. Well, one good reason: He meets Ally (Emilie de Ravin), a girl with her own demons from witnessing her mother's murder on a subway platform 10 years earlier.

Tyler's grief has manifested itself in numerous clichéd ways: chain-smoking, sleeping late and an inability to abide authority. He's indignantly angry with his workaholic father (a miscast Pierce Brosnan) for not being more loving towards his sister, Caroline (the film's sole bright spot, played by Ruby Jenirs), a 12-year-old wise-child being bullied at school. His short fuse leads to a scuffle with a hardened cop (Chris Cooper), who also happens to be Ally's dad. Tyler allows himself to be coerced into trying to hook up with her as revenge, but ends up falling for her instead.

The script, from first-time writer Will Fetters, is annoying and clunky, repeatedly congratulating itself on its own perceived cleverness. But be assured, it's never clever, not once, to anyone over the age of 12. The dialogue thinks it’s layered with subtext and philosophical grandeur, but is ultimately laughable. Sample exchange: Ally: "I don't date sociology majors." Tyler: "Lucky for you I'm undecided." Ally: "'Bout what?" Tyler: (pause and meaningful stare) "Everything."

The dialogue, though, isn't even the worst part. Nor is having to listen to Pattinson (English), de Ravin (Australian) and Brosnan (Irish) rock-climb the slippery surfaces of their American accents. It's the slow-motion wreck that happens within the last 30 minutes of the film as you realize for sure, without a shadow of a doubt, where this is all heading. The climax aims for deep meaning and subtle contemplation, but settles for grossly obvious and emotionally ineffective, appealing only to Twihards and young girls who cut themselves. Remember Me proves impossible to forget, but for all the wrong reasons.

Friday, November 20, 2009

Twilight Saga: New Moon review

My review of New Moon appears online at WestEnder.com

Vampires love necking. Kristen Stewart and Robert Pattinson star in The Twilight Saga: New Moon.

Vampires love necking. Kristen Stewart and Robert Pattinson star in The Twilight Saga: New Moon.

Credit: Supplied

The Twilight Saga: New Moon

THE TWILIGHT SAGA: NEW MOON
Starring Kristen Stewart, Robert Pattinson, Taylor Lautner
Directed by Chris Weitz

A sequel is rarely better than its predecessor, but new blood, new bodies, and the relative absence of Edward Cullen (Robert Pattinson) make this second installment of the Twilight Saga a marked improvement over the first.

New Moon picks up where Twilight left off. Moody and broody vampire Edward is professing his eternal love for the equally besotted high-school senior — and mortal — Bella Swan (Kristen Stewart). Thankfully, the declarations of devotion (it seems every sentence was lifted from a 14-year-old girl’s diary) only last a few minutes before Edward decides the only way to keep Bella safe from harm (that is, his family’s blood-lust and his own brute strength) is to abandon her — so that the vampires who swore revenge in the first film can come back to try to kill her like they promised. Yes, logic is a limited commodity, it seems, in the Twilight world.

Lonely and depressed, Bella turns to her friend, Jacob (Taylor Lautner), and there’s some lovely chemistry between the two as they forge a friendship that presses the “Will they or won’t they?” question, which is interrupted when Jacob pulls an Edward and tells Bella to stay away from him for her safety because he’s now a werewolf and part of a secret wolf pack. That doesn’t really deter Bella, though, since she has a new addiction to danger, But when Edward mistakenly believes Bella has died, he goes to the Volturi, the leaders of the entire vampire race, and begs them to end his life. Bella rushes to save him, and they’re forced to fight against head honcho Aro (a wonderfully campy Michael Sheen).

Though the storyline and dialogue are woefully inept, new director Chris Weitz brings a measure of sophistication to New Moon. A bigger budget certainly helps (particularly with regard to the CGI effects), and it’s to his credit that New Moon feels like a real big-screen event, and not just a movie of the week from the Sci-Fi channel.

Stewart is a good actress who’s often relegated to expressing Bella in one of two ways: quivering breaths to signal distress or saucy defiance to show rebellion. Lautner is charming and proves he’s more than just eye candy, though he spends much of New Moon showing off his crazy new physique (when not in full snarling, furry fury, his wardrobe mostly consists of cut-off jean shorts and that’s it). Pattinson, who’s out of his acting league next to Stewart and Lautner, isn’t given much to do except smoulder and glower. Amusingly, he’s filmed almost exclusively in either slow motion or whip-fast fight sequences.

At 140 minutes, New Moon does start to wane during the last half hour — incidentally, when the vampire action kicks into high gear. The fangs just aren’t sharp enough this time around, but the canine claws prove this franchise has a few hidden pleasures in its cheesy, Harlequin-lite depths. ★★

Thursday, November 19, 2009

Anna Kendrick and Kellan Lutz talk Twilight: New Moon

My interviews with Anna Kendrick and Kellan Lutz appear in this week's WE.

Undying and undead love: Edward Cullen (Robert Pattinson) and Bella Swan (Kristin Stewart) in Twilight Saga: New Moon.

Undying and undead love: Edward Cullen (Robert Pattinson) and Bella Swan (Kristin Stewart) in Twilight Saga: New Moon.

Credit: supplied

New Moon Rising

By Andrea Warner

Twilight fan or not, chances are you know that vampire Edward Cullen’s (Robert Pattinson) undying love for mortal Bella Swan (Kristen Stewart) gets the sequel treatment this Friday, November 20, when The Twilight Saga: New Moon hits a full fifth of all the movie screens in Canada.

It’s been just four years since the first book in Stephanie Meyer’s four-part Twilight series was published, and one year since the first Twilight film opened and became an instant blockbuster. In that time, the film’s leads have become part of Hollywood’s elite. Even supporting cast members became overnight celebrities, with other film and television offers pouring in.

Kellan Lutz, who plays Edward’s vampire “brother” Emmet Cullen, has parlayed his success into a role on 90210, and has several other projects in the works. But even he admits he had no idea what he was getting into when he signed on for Twilight.

“I didn’t know it was a book series,” Lutz laughs, in an interview with WE. “I thought the script was cool. They wanted me to audition for Edward, and I was like, ‘No, he’s too depressing.’”

Anna Kendrick, who plays Jessica Stanley, Bella’s best friend, is generating early Oscar buzz for her role alongside George Clooney in the forthcoming feature, Up in the Air. She has certainly benefitted from the Twilight exposure. But, due to the first film’s popularity, filming Twilight and New Moon was like night and day. It wasn’t just the locale changes (New Moon filmed in Vancouver, Twilight in Oregon) or the upheaval when Twilight director Catherine Hardwicke was replaced with Chris Weitz; it was that everyone associated with Twilight was suddenly super-famous.

“There were logistical problems,” Kendrick says to WE. “The added presence of fans and paparazzi made it interesting. Filming scenes where what you see is just Kristen and me walk down a street, but right outside the frame is just hundreds of girls watching — it made it a little tricky to get over that for the first couple of takes.”

Twilight fans have been among the most vocal and loyal in pop culture recently, calling themselves Twihards and starting Twilight conventions (or, according to many fanboy complaints, taking over established conventions altogether). Advance ticket sales for New Moon’s opening day have, as of press time, reached $1.5 million, and fans are clamouring to see how the film’s central plot — a brewing love triangle between Edward, Bella, and werewolf Jacob (Taylor Lautner) — unfolds.

Even the film’s stars have found themselves caught up in the ‘Who Should Bella Choose?’ conundrum.

“I’m hardcore Team Jacob,” Kendrick says. “Obviously, Edward Cullen is kind of too perfect to exist in real life. It’s a fantasy, an escape for these girls.”

“I can’t really say much about [what draws women in], because I’m a guy, and I don’t really understand women 100 per cent,” Lutz laughs. “But I think anyone can relate. You want what you can’t have, in a way. The Jacob character — everyone thinks that’s great in the beginning, but it gets too old when someone’s like, ‘Oh, I love you, you’re amazing.’ You want the bad boy.”

Ultimately, it doesn’t really matter who Bella chooses, as the fans have already devoured the books, and simply want to see how their favourite characters come to life. And those fans will be right back in the same place six months down the road, when Twilight: Eclipse opens — to likely decimate box-office records again. See you then.

Thursday, September 17, 2009

Twilight Time for Vancouver

My piece about Twilight's impact on Vancouver

In the upcoming The Twilight Saga: New Moon, Bella (Kristen Stewart) is torn between Jacob (Taylor Lautner, top) and Edward (Robert Pattinson, bottom left). Vancouver musician Adaline (bottom right) found thousands of new fans after “tweeting” about a chance encounter with Pattinson at a local bar.

In the upcoming The Twilight Saga: New Moon, Bella (Kristen Stewart) is torn between Jacob (Taylor Lautner, top) and Edward (Robert Pattinson, bottom left). Vancouver musician Adaline (bottom right) found thousands of new fans after “tweeting” about a chance encounter with Pattinson at a local bar.

Credit: supplied

Twilight Time

Justin King is at the ready to lift his camera and capture photos of actors who, until two years ago, were all but unknown. He’s not in New York or L.A., and there’s no red carpet to be found. He’s at Vancouver International Airport, and is just one of several photographers there for one specific reason. “The humans are leaving,” the 28-year-old explains.

Welcome to the world of Twilight, where terms like “the vampires,” “the Wolf Pack,” “the humans,” and “the Big Three” have become a part of the everyday lexicon of gossip rags, fan sites, and the entertainment industry in general – all thanks to ‘TwiHards,’ the ever-growing number of obsessive fans who have catapulted Stephanie Meyer, a first-time author and a Mormon, to the tops of numerous bestseller lists, and launched a movie franchise that’s driven a giant stake into Vancouver’s place on the celebrity stargazer’s map.

For the uninitiated, the Twilight books and movies concern Bella Swan, a bookish 17-year-old loner who moves to the Pacific Northwest and falls in love with vampire Edward Cullen. The push-pull of their tortured love affair — complete with a second love interest for Bella in the form of man-werewolf Jacob — sustain the four-book arc. They’ve become both kid-tested and mom-approved, thanks in part to Edward’s characterization as a chaste knight in glistening armour.

After Twilight exploded onto the big screen, making instant celebrities out of Kristen Stewart (Bella), Robert Pattinson (Edward), and Taylor Lautner (Jacob), all eyes turned to Vancouver, where it was announced the movie’s sequels would be filmed back-to-back. The Twilight Saga: New Moon is set to be released November 20, while The Twilight Saga: Eclipse is currently in production. Everyone, it seems — from fans to entrepreneurs to paparazzi — is eager to get a piece of the action.

The global frenzy for photos of even the most minor cast members has ushered in Vancouver’s first truly big wave of L.A.-based paparazzi — photographers who make a living staking out and documenting Twilight’s every turn. The above-mentioned Justin King, camped out at the airport hoping to get a few shots of the third-tier actors who portray Bella’s human friends, is one of roughly 12 paparazzi shooting the Twilight cast every day, and the only one not temporarily relocated from L.A. He’s a Vancouverite, and got his start getting autographs from the Twilight cast. But when he saw that photos were fetching a bigger buck, he acquired some professional equipment and started shooting for the L.A.-based agency Punked Images.

“It’s 14-, 16-hour days,” King says. “I get up and have to be there for the [actors’ limo] pickups at the hotel, for their daily goings-on, and then be back for drop off. Sometimes I follow them out to the sets, or I might stake out the hotels on their off days, just ‘cause the cast, not including the Big Three, all know me by name. I’ve established a rapport, so if I see them shopping or out walking, I just go over and I get shots there. They give me good shots: a smile, a wave, or a peace sign.”

To people familiar with Vancouver’s long-standing reputation as Hollywood North, the obsessive attention from fans and paparazzi may be a boon to the economy, but it’s not entirely flattering. The TwiHards (and another, perhaps more obsessive subset, the TwiMoms) have helped bolster Vancouver’s tourism business by flocking here in droves, just to get a glimpse of anything Twilight-related. Elaine “Lainey” Lui, who pens the blog LaineyGossip.com and interviews celebrities for TV entertainment show eTalk, calls the trend “embarrassing.”

“I’ve never seen fans this crazy and shameless,” Lui says. “They have redefined ‘loser.’ I’ve seen it get really psychotic, like for Brad Pitt and Angelina Jolie, and that’s crazy, too. But this... I guess the Twilight thing is just so widespread, and I find that it’s misunderstood. People seem to think that it’s only teenagers? Oh, no. It’s, like, 40- and 50-year-olds, mothers. I have my issues with what the significance of Twilight popularity is in terms of a social study. In worshipping a man like Edward Cullen, and by idolizing a relationship which is based on a girl giving up everything for a boy, and attaching her life’s identity and value — it illustrates the regression of the female movement.”

Sarah Crauder, a production assistant who worked on the original Twilight film in Oregon, saw first-hand that women, young and old, were eager to jump in on the fantasy. “Girls were obsessed with this book and would have done anything to be connected to it,” she recalls. “They could have made the movie with sock puppets and it would have made the same amount of money. Just slap Twilight on something and they’re going to buy it.”

Crauder recalls fielding letters and e-mails before casting had been finalized, from fans pleading to be cast as Bella. “It’s so dependent on you seeing yourself as the heroine. If you don’t identify as Bella, the whole book falls apart.”

Those fans are also reaching out to Lui, via any form necessary. She estimates that she gets about a dozen e-mails every week from fans around the world who tell her they’re coming to Vancouver for Twilight. “On Twitter it’s a lot more,” she adds. “It’s been great for Vancouver financially, and public-relations-wise it’s been incredible. People are flying in from all over the world — Brazil, Germany, Australia — just to stalk these celebrities, and obviously Vancouver’s reaping the reward from that. But the downside of it is that it’s over this franchise.”

Erin Cebula, an entertainment reporter for Global Television and Entertainment Tonight Canada, says it’s not dissimilar to another famous series and its relationship to its home city.

“New York was such a central character in Sex and the City, and Vancouver could play a similar role in the Twilight franchise,” Cebula suggests. “Twilight tours are happening now: You can visit the locations, even where the stars go and have lunch. And, of course, the same kind of tours happen in New York with Sex and the City. Even in Tofino, they were running some tours after New Moon was shot on the beaches. From a tourism perspective, it can be beneficial to people who are quick on the draw.”

Well, usually.

The Twilight fervour has kick-started King’s career as a photographer, and benefited plenty of Vancouver hot-spots like the restaurants Glowbal and Chambar, where the cast hangs out and fans linger in the hope of catching a glimpse.

A chance encounter with Pattinson even helped boost a fledgling local indie singer-songwriter’s career. Earlier this year, the singularly-named Adaline, who had just released her debut CD, Famous for Fire, took to her Twitter account and mentioned she’d hugged Pattinson and had a conversation with him at a bar. The “tweet” got picked up by a Twilight fan site, which linked to her MySpace page, generating international publicity and over 75,000 plays of her music in just a few weeks.

“The Twilight fans are really like no other,” Adaline says. “‘Passionate’ is probably the best word to describe them. I’ve received thousands of messages of support from Twilight fans who are now fans of my music as well. It mainly created a greater awareness of my music, which is needed as an independent artist. In today’s music business, artists really need these kinds of breaks, so I’m grateful.”

But not every person who’s interacted with Twilight has benefited. A woman who agreed to speak with WE only on condition of anonymity had, up until last week, been operating a tour business taking fans to various Twilight locations, and pointing out other popular filming spots in Vancouver. Despite having the appropriate permits, last week she received a cease-and-desist order from Summit Entertainment, the studio behind the Twilight franchise, threatening legal action for copyright infringement. “It’s serious, and I’m scared,” she says. “They could take everything from me, and I have kids I need to support.”

She’s not permitted to offer any numbers about her own business, but said that she knew of at least a few hundred people who were arriving from all over the world to check out Twilight locations. “The average person would come for a week, stay in a five-star a hotel, and eat three meals a day, and this was a destination to see if they could meet the cast,” she says. “It’s not like a cruise ship number, but I would say people would spend several hundred dollars. I was doing a service for Tourism BC, because there’s no one out there marketing B.C. to the fans. New Moon and Eclipse could do for us what Brokeback Mountain did for Alberta.”

So far it already has. As Cebula notes, the casting for Twilight’s supporting characters prominently features local actors, particularly those in the aboriginal community. And Lui, despite her dislike for the Twilight franchise, is optimistic about the end result.

“Whatever brings the fans to Vancouver, they can appreciate it for what it really is,” she says. “How beautiful the city is, not just Twilight.” 

Tuesday, January 13, 2009

Girl Power Gone?

My editorial about Twilight, Judy Blume, and Susan Juby appears in the new Vancouver Review.

GIRL POWER GONE?

Andrea Warner worries about the Twilight trend

When I was 13, I wanted to know about sex. And boys. And love. I wanted to figure out what was up with boobs and why they were a big deal for some and an even bigger deal for others. I had hair sprouting in places I wasn’t supposed to touch. I wanted answers but there was no one I could ask, particularly about the “dirty” stuff.

So, like most young, curious people at the time, I turned to books. I wish I could say that I found solace with Jane Austen and Virginia Woolf, but rather than the modest, melancholy heroines gracing those hallowed pages, I craved blunt honesty about troublesome girls who seemed more like me. I wanted the facts, with all of their humiliating, naughty, ugly and revelatory moments.

There was only one author who seemed to speak my teenage language, a woman whose books were often kept on a higher shelf in the library: Judy Blume. Two decades later, Blume has a worthy successor in BC-bred young-adult author Susan Juby, whose books depict regular teenagers dealing with their daily lives. And, like Blume’s, Juby’s fiction has gotten panties in a twist, primarily because she dares to dwell in real teen territory. She’s paid the price by having her books banned in various cities, schools and school libraries throughout North America, including a middle school in Settler, Alberta.

Juby’s books, like Blume’s, advocate intelligence, character development, and honest depictions of sexuality in a teen environment. These books are vital to empowering youth, particularly emerging women, because they demand self-reflection. It’s important for girls to read about teens who fuck up, even fictional ones, because it answers their questions, plays out scenarios, and fills the gaps in their own experience to help them relate, survive, grow up.

Miss Smithers, Juby’s novel set in rural BC, captures the small-town angst of bored teens everywhere. Alice, her flawed yet ferociously witty 16-year-old heroine, makes plenty of bad choices and acts like a real teen. The book has been banned in schools because Alice attempts to lose her virginity (to no avail). Another Kind of Cowboy tackles sexuality in a different way in that Alex, a young horse enthusiast, realizes he’s gay. These stories tackle the social dynamics young people face.

These works are worlds, nay galaxies, apart from the recent book-series-turned-blockbuster-movie Twilight, a young-adult vampire romance by Stephanie Meyers. At the start of the series, 16-year-old new kid in school Bella captures the attention of the mysterious, aloof pretty boy Edward. He’s intoxicated by the smell of her blood, and attracted to her because he can’t read her mind. (Because she’s so complex! Just like every girl wants to be!) She’s equally obsessed, intrigued by the danger and depth of his torturously long stares.

Bella’s a mirror for many young women who like to read, fantasizing that the best-looking boy will pick her over the blond cheerleader. She’s bookish, shy, klutzy and a virgin. It’s notable that a key segment of Twilight’s fan base wears abstinence rings, a message drilled home by Edward’s refusal to deflower his damsel in distress for fear he may lose control of his vampire strength and hurt her.

Bella’s virginity and Edward’s gallant behaviour have hit a chord with another group beyond the coveted tween-to-teen demographic: their moms. It wasn’t just allowances and babysitting money keeping the Twilight series (four books total) firm at the top of the bestseller charts. When Twilight shattered box-office records on its opening day, there were at least two generations to whom one could attribute ticket sales.

Meyers’ value system—she’s a Mormon—may or may not be what keeps Bella and Edward from bumping bits; an author is entitled to write whatever she wants. My concern is that mothers and others responsible for children’s education, so eager to dissuade and subdue sexuality, have overlooked the fact that Twilight romanticizes sexism, stripping young women of all sense of empowerment—an offence all but invisible when compared with Juby’s, it seems.

I can't help but feel sick at the perpetuation of the idea that a boy is all a teenage girl needs to feel complete. And that if they had sex, she’d die. Blume’s characters obsessed over boys. So do Juby’s. The difference is that in Meyers’ world, a world that mothers are pushing on their daughters with uncomfortable urgency, a girl doesn’t just obsess over a boy but has an almost sacrificial relationship with him. Bella is religiously devoted to Edward, her character and identity entirely consumed by her desperation to be with him; the books dwell on Bella’s declarations of undying love and her oft-repeated desire to be turned into a vampire.

Meyers has created a world in which Bella’s a perpetual victim, always in danger and requiring the constant presence of Edward or some other man to protect her. It’s doubly galling to recognize that Twilight’s largest fan base (particularly online) is comprised of mothers, the by-products of second-wave feminism.

Banning books like Juby’s denies young people a choice of role models, and gives credence to the notion that denial works. Given its not-so-subtle nod to Shakespeare’s fatalistic Romeo and Juliet scenario, coupled with the purity pledge, advocating Twilight to your female teen is tantamount to sentencing her to three marriages, five kids, and an unhealthy dependency on her parents when she can’t keep her man. Feminism rides bitch (usually in the backseat rather than the driver’s seat, as it were) in Twilight, and it’s damned depressing to realize that women are to blame for its success.

Friday, November 21, 2008

Twillight

My review of Twilight is up on WestEnder.com today.
Twilight

Twilight
By Andrea Warner
2 stars (out of 5)= It's okay. Probably fans only.


Twilight, based on the first book in Stephanie Meyer’s best-selling series, tells the story of star-crossed couple Edward and Bella, a modern day Romeo and Juliet with less suicide and more blood.

Bella is a recent transfer student and lovely loner (played with classic amounts of teen angst by the compelling Kristen Stewart), and Edward (Robert Pattinson combining the ol’ crazy eye with a dash of Johnny Depp) is the ridiculously beautiful, mysterious boy who sits next to her in Biology. Oh, and he’s a blood-sucking vampire.

Director Catherine Hardwicke (Thirteen) translates the duo’s courtship through a series of painfully silly close-ups and lingering, intense stares. If she’s intentionally being funny, that’s awesome. If she’s, as I suspect, being entirely sincere, these prove to be the first of many moments where the audience laughs inappropriately.

Edward makes some half-hearted attempts to keep his distance from Bella, but he’s “intoxicated” by the smell of her (at one point likening her to his brand of heroin), and can’t stay away. Bella, of course, becomes equally obsessed with Edward and uncovering his secret. What follows is a series of events that alternate between eye-rolling and neat as Edward must save Bella repeatedly from the evils of the world, and then take her half-running/half-flying up beautiful old-growth pines to play amongst the tree tops (the scenery is breathtaking).

A truly inane subplot involving an evil “tracker” vampire who gets a good whiff of Bella and decides she’s his next meal creates a sharp departure that turns this romance into a thriller (using the term loosely) for about 15 minutes. The bad vamps are introduced late in the game, and just serve as yet another way to illustrate Bella as Helpless Girl and Edward as Fierce Protector.

For all the hoopla, even diehard loyalists will likely be disappointed in Twilight’s shoddy production values, bad clown makeup, and ridiculous dialogue. A sequel seems inevitable, so let’s hope for a bit more bite next time.